In Her Own Right- Prototype

3 years have passed since the last chapter. Jeanne is now in her mid-twenties. Ferrand is still imprisoned. Margaret has married William of Dampierre, a nobleman from the region of Champagne. Jeanne has put her trusted vassal, Arnoul, seen in the last chapter, on her council. Jeanne continues to work for her people, but humilation from the hands of the French King, now Louis the Lion as Philip Augustus died in 1223, has led to growing discontent. [[Chapter 4 Begins]]

Lille, 1225 There is an air of nervous activity around the castle. Members of your court from your handmaidens to clerics to the kitchen boy are all converging upon the great hall. As you walk through the corridors, you notice many groups of people with their heads together, having surreptitious conversations. Every so often, people look up at you with an expression on their faces that you can’t quite read. Today, a man will be presented to you who claims that he is your long-lost father. [[Continue|background of false baldwin]]

It is hard to believe that it was only a few short weeks ago you started hearing whispers that your long lost father may still be alive. In that time, the man who says he is Baldwin has managed to amass a significant following, so much so that it could no longer be ignored. [[Continue|fb background 2]]

At this moment of uncertainty for your court and your lands, you feel… [[angry]] [[nervous]] [[hopeful]]

You think that there is no possible way this man could be your father. The facts of the situation make no sense. You believe that there is a plot afoot and sense a portent of wickedness in this. [[Continue|angry 2]] (set: $angry to true) (set: $nervous to false) (set: $hopeful to false)

Like everyone else, you are unsure whether it is possible that this man is really your father. Either way, he could prove to be a threat. If he is your father, he will take the counties away from you, and your fortunes would become out of your control. [[Continue|nervous 2]] (set: $angry to false) (set: $nervous to true) (set: $hopeful to false)

There is a part of you that does hope that this is your father. While you would be reluctant to give up your power, you believe that this man being your father could prove to be to your benefit. [[Continue|hopeful 2]] (set: $angry to false) (set: $nervous to false) (set: $hopeful to true)

You soon reach the doors of the hall, but before you enter, you stop to offer a quick prayer to St. Martha. St. Martha is special to you because she is one of the saints whose stories you first heard. A former member of your court, a writer, composed a story of her life and dedicated it to you. You recall her bravery in facing the terrifying monster known as the Tarrasque and the ease with which she tamed it with God on her side. Determining whether the man is your father will likely be a far more difficult task. [[Continue|thoughts before entering hall2]]

When you enter the hall, you see Arnoul. His face is completely expressionless. While he knows that he has never failed you, there is much at stake today and he must not reveal his thoughts until you are out of public view. You also see your father’s most trusted cleric and a close family friend, Walter, who you have made your chief notary. His judgment will be very important to your decisions as he is one of the few present today to have really known your father. You nod at both of them as they bow. [[Continue|burghers]]

As you sit, you notice that there are many burghers in attendance today - common men who have made their wealth through trade. Though they are not of noble birth, they believe that the wealth they have accrued has earned them significant influence in politics. [[Continue|burghers 2]]

Now that everyone is assembled, it is time. You take a breath, and say in a commanding voice. “Bring in the man who claims to be my honorable father, Baldwin, son of Margaret and Baldwin.” [[Continue|summon baldwin 2]]

You summon forth the bishop of Lille to have the man swear before God to tell the truth. He brings out beautiful objects of great significance - from glittering illuminated books of Gospels to relics of important saints of your land like Saint Amand who first brought the word of Christ to your land and converted many pagans and Saint Bavo who renounced his dissolute life as a knight to assist Amand in his missionary work. [[Continue|oath 2]]

It is time for you to question him… (You must choose all before you continue.) (if: not $askedPersonal)[* [[Ask him something personal that would be known only to your father and few others|Ask Personal]]] (if: not $askedEscape)[* [[Ask him how he survived and escaped after the battle of Adrianople|Ask Escape]]] (if: not $askedScars)[* [[Request to see Baldwin’s scars|Ask Scars]]] (if: not $askedWalter)[* [[Solicit the guidance of Walter|Ask Walter]]] (if: $askedPersonal and $askedEscape and $askedScars and $askedWalter)[ ---- [[Continue|Interrogation Outcome]] ]

(set: $askedPersonal to true) You were young when Baldwin left for Constantinople, so you do not know very much about him, but you know enough to discern the possibility of truth in the man’s words. Furthermore, it could prove useful as a way to see if he is generally nervous or not. [[Continue|askpersonal2]]

(set: $askedEscape to true) Your father’s captor, Ioannitsa Kaloyan, Emperor of the Bulgarians, was a notoriously brutal man. He would not have let your father go easily. [[Continue|askescape2]]

(set: $askedScars to true) You had previously discussed with Walter potential ways to identify if the man is your father and he had identified for you Baldwin’s most notable scars. “I am going to come look at your scars.” [[Continue|askscars2]]

(set: $askedWalter to true) You turn to the old man who has always been loyal to your family. “What do you make of this man?” [[Continue|askwalter2]]

By the time the interrogation ends, the crowd is very unsettled. While most seem to be saying that this man is not your father, there are others who are still unsure, or worse, supporting the story this man has spun. [[Continue|interrogationoutcome2]]

You leave the hall feeling defeated. While some may believe he is your father, or simply claim to believe so for calculated reasons, you know now that he is not. (if: $angry)[ You were sure from the beginning that this man was not your father, so it is even more troubling and frustrating to you that some nobles are going along with a clear pretender. ] (else-if: $nervous)[ While the interrogation may not have gone as well as you may have hoped, it at least gave you the confidence that this man is an impostor and the clarity to make decisions going forward. ] (else-if: $hopeful)[ Even though it should have no hold over you, the revelation that this man is not your father saddens you. Before the interrogation, there was a chance to reunite part of your family. Now, an impostor is claiming to be your honorable father and others are too blind to see what is happening. ] [[Continue|deliberation begins]]

As you head into a more private chamber, where you are less likely to be overheard, you are joined by Arnoul and Walter. It is silent for a moment, but then Walter speaks, “Lady, I believed before, but I am now more certain that the man with whom we were speaking is not your father. Surely, even the nobles who doubt you will see sense and bar him.” [[Continue|deliberationbegins2]]

You think… [[the voice of the common people matters]] [[they don’t have the power to enact their will]] [[their opinion doesn’t matter]]

Due to successful trade, the burghers had grown exceedingly wealthy and were beginning to make more political claims. The citizens of some cities hold the burghers as political leaders and give more importance to them than you. [[Continue|voicematters]]

While wealthy men may believe they are owed political influence, the fact of the matter is they are still under your rule. [[Continue|don'tpower2]]

Essentially, it’s meaningless to you. Those burghers think that they can make decisions that can shape the course of Flanders, but you know the truth. Ultimately, their lives are still subject to your whims. [[Continue|opiniondoesn'tmatter2]]

You need to respond, so you say, “It seems that the man himself is not so important as much as what he represents: a time when things were better. The populace has spoken what they believe, how should we react?” [[Continue|conversationcontinues2]]

As you, your advisor, and an old friend consider possible solutions, you suggest… (You must choose all before you continue.) (If: not $askedExposure)[* [[direct exposure]]] (If: not $askedWitnesses)[* [[seeking more witnesses]]] (If: not $askedCities)[* [[appealing to cities for support]]] (If: not $askedDivine)[* [[praying for divine intervention]]] (If: not $askedAllies)[* [[gathering allies]]] (If: not $askedImprisonment)[* [[imprisonment]]] (If: not $askedDelay)[* [[delaying the matter]]] (if: $askedExposure and $askedWitnesses and $askedCities and $askedDivine and $askedAllies and $askedImprisonment and $askedDelay)[ ---- [[Continue|Deliberation Outcome]] ]

All your options appear fruitless. “I do not see a clear path forward,” you say with a sigh. [[Continue|ida]]

(set: $askedExposure to true) “We could say that we do not believe his claims and demand more proof. Do it publicly and let him continue to fail to answer what Baldwin would know. Ask him more questions to press him into revealing his true identity.” Walter says, "You already caught him in contradictions, and still people believe him. If we humiliate him before the wrong crowd, you’ll gain nothing but sympathy for the liar." [[Back|Deliberations Loop]]

(set: $askedWitnesses to true) “Let us find more who knew Baldwin during life. Have them assess the man.” Arnoul responds, “The men who knew your father best are dead or scattered. We may find two or three with honest memories who can come quickly to your aid — but would it be enough?" Walter adds, “And memory, my lady, is a frail candle after twenty years. Some might see what they hope to see.” [[Back|Deliberations Loop]]

(set: $askedCities to true) “What of the castellans and barons of the great cities? Bruges, Ghent, Ypres? Could we ask them for support?” Arnoul says, “Unfortunately, my lady, only Mons has not been swayed by the man’s rhetoric and appeals.” [[Back|Deliberations Loop]]

(set: $askedDivine to true) “We could pray. Ask for God’s light to reveal the truth.” Walter says with a wan smile, "God’s will moves slow, my lady. The mob moves faster, and it does not wait for miracles." [[Back|Deliberations Loop]]

(set: $askedAllies to true) “We call on those still loyal to me. If this leads to battle, I’ll not face it unarmed.” Arnoul states, “This is a necessity. However, gathering allies takes time, and even the most loyal of men will consider the risks.” [[Back|Deliberations Loop]]

(set: $askedImprisonment to true) "Then we lock him away. No crowd. No gallows. Let him rot where no one can hear him speak." Arnoul interjects, "Your enemies will question the charges, since he was not fully exposed as a fraud. When he vanishes, what will they say of you? That he was silenced because he spoke the truth? That you feared him? This would only breed resentment." [[Back|Deliberations Loop]]

(set: $askedDelay to true) "We delay. Let the matter resolve itself. The fervor will eventually settle, and the truth will be known.” Walter objects, "Delay is a poor cloak, my lady. Your enemies will say you lack resolve. And the impostor gains time to strengthen his claim." [[Back|Deliberations Loop]]

Walter grimaces, “My lady, you must act quickly. We cannot risk the political instability your ancestor faced. Do you recall what happened to Ida of Hainaut?” [[Continue|ida2]]

Arnoul interjects the story and your thoughts, “Even more pertinent is the case of Baldwin of Ardres, who also embarked on crusade and, like the other Baldwins, disappeared without undeniable proof of what happened to him. Accounts say that he did not die of injuries but of disease while journeying over sea. It is said that he requested that his body be thrown into the water to prevent the spread of disease amongst others. [[Continue|baldwinardres2]]

Arnoul continues, “My lady, these stories show that swift action is necessary. We may not have received definitive proof of Baldwin’s death before, but now is as good a time as any to quell those who attest to the former count’s survival.” With that, Arnoul and Walter continue a heated discussion about the best path forward, but you remain quiet, disturbed by the memory of these stories. [[Continue|debate 2]]

“I must ask for outside help, from someone more powerful than I.” This revelation silences the councillor and the clerk. [[Continue|askforassistance2]]

Somberly, the two men agree that you are right. Arnoul says, “My lady, in order to make this plan work, we must leave for the king’s court posthaste.” “We must let only a select few know that we’re leaving so that your enemies will not be able to discern what you are attempting to do.” [[Continue|makingplans2]]

You continue, “Arnoul, please go make arrangements for our travel.” You turn to the old cleric, “Walter, thank you as ever for your guidance. I know I do not need to insult you by asking for your silence on this matter.” With a nod, they bow to you, and depart. [[Continue|final thoughts]]

As you begin to climb the stairs, you wonder how this story will be told by clerics writing chronicles and minstrels singing songs of the errors of the past, thus affecting how you are remembered. [[Continue|finalthoughts2]]

Before you proceed, please fill out the form for Chapter 4. <a href="https://forms.gle/RDzXyWiBqbUc3Now9" target="_blank" rel="noopener noreferrer"> Chapter 4 Survey </a> <a href="https://forms.gle/db7KJxPQJxeXsC6bA" target="_blank" rel="noopener noreferrer"> Report glitches here! </a> [[Proceed to end]]

Welcome to this beta test of the prototype for //In Her Own Right: A Story of Power and Its Consequences//! <img src="https://i.imgur.com/vS9GbDZ.png" alt="the game logo" width="400"> Some information before you begin: This is a story about a real woman who lived in the 13th century, Jeanne, who was a countess of Flanders and Hainaut in what is today known as the country of Belgium. Please note that due to the game's attempts at historical accuracy, the characters do still reflect attitudes somewhat accurate to their time period though depictions of violence or misogynistic behavior have been minimized where possible. The prototype is made up of four chapters. The four chapters are set in chronological order, but for the purposes of a prototype I have picked chapters that best depict the possibilties of a final outcome. In a full version of this game, they would not occur one after the other like this. Due to the nature of this prototype including time jumps, before every chapter I will provide you with a quick summary of what has occurred in Jeanne's life since the events of the previous chapter. [[Continue|feedback instructions]]

Almost 8 years have passed since the last chapter. Jeanne is now in her early 20s. Ferrand has remained imprisoned all these years. Pope Innocent III annulled the marriage between Margaret and Bouchard who refused to separate. Bouchard went to war against Jeanne, but he was captured in battle in 1219. In 1221, he was released when he finally agreed to separate from Margaret. Meanwhile, Jeanne has encouraged Flanders' economy to flourish through beneficial policies, though the French have taken much control over her lands since Bouvines. [[Begin Chapter 3]]

//Spring 1222, The tournament field near your castle in Brugge// <img src="https://i.imgur.com/UaolOxe.jpeg" alt="19th century representation of a medieval tournament" width="400"> You have invited competitors from as far south as Occitania, from across the waters in England, and from the German lands close to yours to participate in a great tournament. Many accepted your invitation as your lands are a central location for participants to congregate, and it is a popular tradition to compete in Flanders, though the political instability of your reign so far has kept you from becoming involved in past tournaments. This year, you have worked closely with your herald, the master of ceremonies at court, to carefully plan every aspect of the festivities. [[Continue|new character]] (set: $romantic to 0) (set: $political to 0) (set: $disillusioned to 0) (set: $Peter to 0)

As you sit above the crowds in a position of honor in a roofed booth covered with tapestries, you survey the competitors before you. In a sea of vibrant colors, you recognize many of the coats of arms of different competitors, but there is one you have not seen before. <img src="https://i.imgur.com/8w43bFo.png" alt="jeanne seal" width="200"> You summon your herald, who quickly comes to your side, “Who is that man bearing the arms with a checked field and an ermine canton?” He takes a quick look, “That is Peter of Dreux, the former Duke of Brittany.” [[Continue|react to Peter 1]]

You gasp and turn to the older woman sitting beside you, Adele, a troveresse who wrote many beautiful songs like the male troubadours from Occitania and trouveres from the north, who is acting as your chaperone during the tournament. Though she is acting stern because of her duties, you know that she is quite excited by the splendor on display and the possibility of drama and scandal. You ask her, “What is he doing here? Did his wife not die only a few short months ago, leaving him with a young son?” Adele replies, “His son is now the Duke. Though Peter is the regent, I suspect he is looking for a more permanent position…” [[Continue|react to Peter 2]]

Suddenly, the man himself turns to look in your direction. Even from some distance, you can see that he has light hair, intelligent blue eyes, a slender build, and a sharp nose. As he looks at you keenly, you [[feel overwhelmed with a new feeling]] [[are unimpressed]] [[try to make a judgment]]

You’re not exactly sure what to make of the former Duke. You stare at him for longer than is probably appropriate. As if he notices you examining him, he bows in a way that appears somewhat sarcastic, smiling roguishly while doing so. The boldness of that man! [[Continue|tournament 1]] (set: $political to $political + 1) (set: $firstChoice to "political")

You’re not exactly sure what comes over you, but you feel embarrassed and giddy all at once. You instinctively raise your arm to greet him, but Adele notices and quickly turns you away. “What are you thinking? Do you know what people would say if they saw you do that?” As she continues to lecture you, you quickly peek to take another look at him, and you see that he is still staring and is now smiling wolfishly. [[Continue|tournament 1]] (set: $romantic to $romantic + 1) (set: $firstChoice to "romantic")

He does not hold your interest for long. You return to conversation with Adele to learn more about the other notable people in attendance today. Still, you can feel his eyes intently on you, as if trying to make a decision. [[Continue|tournament 1]] (set: $disillusioned to $disillusioned + 1) (set: $firstChoice to "disillusioned")

In between three great powers, with the kingdom of France to the west and the Holy Roman Empire to the east and England across the waters to the north, there was a prosperous land by the name of Flanders. Though this land was perhaps the most powerful in that region known as the Low Countries, it was small compared to its neighbors. Even though its neighbors, especially France, tried to enforce their influence in this land, it persevered and remained independent from more powerful lords. [[Continue|prologue 2]]

Flanders’ rivers led to large growth in the 11th century in cities such as Brugge, Ghent, and Ypres, which were considered some of the greatest in the region. These cities produced some of the finest textiles found in Europe, which were in high demand for trade and thus brought much wealth to the land. Immediately to the south of Flanders was the land of Hainaut, which was soon united with Flanders under one lord - a count. [[Continue|prologue 3]]

The counts of both lands were many in number, but Baldwin IX, the count of Flanders and Hainaut who ruled at the end of the twelfth century and the beginning of the thirteenth, stands amongst the greatest. He was one of the first to rule both lands, and he did so admirably. He won back the land that the French king Philip II Augustus had taken from Flanders, and he instituted a new criminal code. This brought about a time of stability. However, his greatest achievement would come after he took up the cross and joined the Fourth Crusade in 1202. [[Continue|prologue 4]]

For his efforts and his popularity amongst the crusaders, he was named Emperor of Constantinople. This position made him one of the most powerful men in the Latin East. However, his rule was short-lived as tragedy soon struck. His wife, the noble Marie of Champagne, died while en route to be with her husband in his new role. Shortly afterwards, Baldwin himself faced defeat in an ambush by Bulgarians at the city of Adrianople, which annihilated his army. He was captured and brought to their leader, the fearsome Ioannitsa Kaloyan, called the Romanslayer. After his capture, Baldwin disappeared - never to be seen again. [[Continue|prologue 5]]

While Kaloyan sent out word that Baldwin had died, the people of Flanders and Hainaut never lost hope that their illustrious ruler would return. They needed this hope because Baldwin’s heirs were his two young daughters, Jeanne and Margaret, who were only five and three years of age. This left the county’s succession in a precarious position because the vulnerable girls were now pawns for a stronger force. [[Continue|prologue 6]]

The French king coerced the girls’ uncle and guardian, Philip of Namur, to make the girls his wards in exchange for marriage to a French princess. This quickly crushed any prospect that the girls would serve as a bulwark against the French like their father. [[Continue|prologue 7]]

The two sisters remained at the French court for over a decade until Philip Augustus arranged a suitable marriage for the elder daughter, Jeanne, to the third son of King Sancho I of Portugal. Her marriage to Ferdinand, called Ferrand in the tongue of his new domain, allowed Jeanne to finally return to her homeland. [[Continue|prologue 8]]

At that time, Jeanne needed to assume the position for which she was born. As a woman of great means and power, she was a controversial figure, and those who wrote history spoke harshly of her. However, the question must be asked - did she have the agency to be a good ruler or did circumstances lead her into being considered a bad one? [[Continue|prologue 9]]

//Somewhere near the city of Lens, February 1212 You are playing as Jeanne. // It is a rainy night, and you are travelling to your new home as swiftly as possible. It has been many years since you left Flanders and Hainaut. [[Continue|prologue 10]]

You feel nervous about returning to your homeland. You are defying the wishes of the French king, who would prefer to keep you under his control at his court. But you are also not sure how well you know your lands after so many years away from them. However, as you are now married and no longer the king’s ward, he cannot very well stop you and your new husband from collecting your inheritance of power and lands and beginning your reign. [[Continue|prologue 11]]

At only thirteen years of age, much is expected of you. Not only must you live up to the religious, legal, and courtly expectations of a married woman, but, as heiress to Flanders and Hainaut, you must become a leader. In a short time, you have gone not just from childhood to adulthood, but to lordship as well. [[Continue|prologue 12]]

Still, you do not feel much like the person that your peers and your subjects perceive you to be. In many ways, you are still a child. Only a few short months ago, you and your sister were freely playing. Yet, while your husband, Ferrand, and your regency council will do most of the governing until you reach the age of maturity, you know that the time has come for you to grow up. [[Continue|prologue 13]]

It will be difficult going from the French king’s pawn to a sovereign and an agent of change in your lands, but it is your destiny. Now the time has come for you to accept it. The thought both weighs on you and excites you, but as you sit in the carriage pondering your new position, the retinue comes to a sudden halt. [[Continue|prologue 14]]

You hear loud shouts, and your whole body stiffens. One of your knights comes to the carriage door with a completely pale face. “My lady… it is the Dauphin, Louis the Lion, the son of the king of France,. He wishes to speak with you.” [[Continue|prologue 15]]

As you exit the carriage into the pouring rain, you see the prince in full armor standing with Ferrand, who looks furious. “My lord, what could bring you to stop our retinue in this storm?” [[Continue|prologue 16]]

He smiles wickedly, “My young lady, surely you did not think you could leave the court that raised you and arranged your marriage without payment of a dowry?” He gestures into the distance, “I have a tent set up over there. Upon reaching it, you will return what your father stole from France…” [[Begin Chapter 1]]

//Ghent, Spring 1213// <img src="https://i.imgur.com/FUP0p1c.jpeg" alt="gravensteen castle" width="400"> A sharp intake of breath jolts you to the present, where you are sitting in a council meeting. You are safe, but those horrible memories of being abducted by the Dauphin and forced into giving him some of your territory send you into a panic whenever you have the misfortune of recalling them. [[Continue|calm nerves]] (set: $Ferrand to 0) (set: $lordliness to 0) (set: $diplomacy to 0) (set: $piety to 0) (set: $community to 0) (set: $family to 0)

After you take a moment to calm your nerves, you realize that no one seems to have noticed your distraction. You will likely be asked to speak soon, so you must prepare yourself. You may be the countess through title, but your regency council will rule in your stead until you come of age. While you were considered ready for marriage, the law states that you do not have the freedom to use your power until you reach the age of maturity. However, you still attend their meetings and aid in making decisions to instruct you for when you come of age. [[Continue|aunt]]

You know all the members of the council, but there is one to whom you are especially close. She is your aunt. Though she was born in Portugal with the name Theresa, she adopted the name Matilda upon her marriage to Philip of Alsace, who was your great-uncle and count before your grandfather. Though she has not been countess in many years, she still wields much power and remains a prominent landholder. She is the reason you are back in your lands. She orchestrated your marriage with her Portuguese nephew. [[Continue|aunt 2]]

She is stern, but you know that she cares for you. You aspire to be something like her when you come into your rule. She was there the night you were accosted by Louis, and you admired how she was able to remain calm and not give away her feelings in such an intense moment. You strove to follow her model, but as you gave over the territory, you could not help but feel… [[furious]] [[hopeless]] [[ashamed]]

You felt that a piece of you had been taken away. This inspired the righteous fury of a sovereign within you, though you have never communicated the depth of your anger as it would be considered unnatural for a woman to be so irate. Your father fought the French king valiantly for that land, which belonged to Flanders by right, and you tarnished his legacy when you were forced to give it to his rival. It made you more determined to hold fast against further French influence in Flanders. [[Continue|no feeling]]

The loss of the land, as small a portion as it was, devastated you. You believe that it was taken from you for reasons more symbolic than practical. That land was hard won by your father, who tried to keep Flanders free of the French king’s influence. It rattled you, and you are not quite sure how you will begin to recover. [[Continue|no feeling]]

It embarrasses you to remember your naivety, thinking that you could leave the French court so easily. You were further humiliated by having to give up land which was significant to your father’s legacy, who had won it in a victory against French overreach. Shame is not a lordly feeling, but you can feel no other way because you know something must be done, and you are unable to do it. [[Continue|no feeling]]

However, your feelings from that night were not made obvious. Rather, they would have been buried under ceremony and tradition that made it appear a normal event instead of a hostile one. The news would have been brought to Philip Augustus in the form of a charter, a document which grants rights and privileges and proclaims public laws. [[Continue|charter 1]]

Charters are dry legal documents, and their formal language is intimidating, especially when accompanied by the performance of a ritual. Charters are mostly composed of standard legal expressions. Legal documents need to be precise, so rarely are your own words and feelings conveyed. [[Continue|charter 2]]

Leaders, from kings to bishops, hire an office of clerics skilled in Latin to write charters. The issuers of the document are only required to do two things. First, they write their names on the document or make a cross if they are illiterate. Next, they affix their seals, lumps of wax stamped with the person’s image. The seal is what makes a document truly official - it represents your presence in your absence. <img src="https://i.imgur.com/L7ehJk0.jpeg" alt="jeanne seal" width="400"> [[Continue|charter 3]]

<img src="https://i.imgur.com/IRyiBMT.jpeg" alt="the real charter" width="1000"> You scowl as you remember certain passages from the document: “...our most beloved lord Philip, the illustrious king of France…” [[Continue|charter 4]]

“Moreover, we have sworn this renunciation to Lord Louis himself, and on account of this, we have given… hostages from among our men to the said Lord Louis…” [[Continue|charter 5]]

“This is done saving the fidelity which we owe and have sworn to our lord Philip, King of France…” [[Continue|charter 6]]

These words do not convey the duress that you were under while signing these charters. They do not express how ill you felt affixing your seal to the document. They do not reflect the fact that issuing the charter was not your decision. [[Continue|more freedom]]

Today, however, you have more freedom to make decisions with your charters, though your decisions are still subject to the approval of your council. [[Continue|Gerard 1]]

“There is a rather pressing matter, your lady,” says John, one of your councillors, as he passes you a folded square of parchment with a lump of red wax. “Almost a year ago, you and your husband issued this charter negotiating the freedom of Gerard, the son of your castellan in Mons, who has been held captive in the East by the enemies of the crusaders since the time of your father’s capture. “You gave your word that his ransom would be paid if his release was negotiated within a year, and that year is almost past. How should we proceed? [[Continue|Gerard 2]]

As he speaks, you read the document given to you, “I, Ferrand, count of Flanders and Hainaut, and I, Jeanne, countess of Flanders and Hainaut, make it known to all the Christian faithful who will consult these letters that we constitute ourselves as hostages for 700 pounds in the money of Valenciennes with regard to the brothers of the house of the Hospital of Jerusalem, if we do not observe that agreement with them, that was agreed with those same brothers, for the ransom of Gerard of Mons, who had been held in captivity by the pagans. [[Continue|reading charter 2]]

You had nearly forgotten about Gerard’s ransom. As you read through the legal formalities, you slowly recall the discussions that were had that day. You and your husband had promised that money would be paid to the Order of Hospitallers who were negotiating his freedom. It was expected that they would be able to achieve the task within a year’s time, but it seems this was not the case. [[Continue|Gerard 4]]

You know there is only one right answer. “We must issue another charter. We cannot let another one of our own remain in captivity.” [[Continue|Gerard 5]]

The members of your council nod approvingly except for John. “There is one problem, my lady. Your husband seems too preoccupied with other matters to take the time to issue the charter.” “Then, I will issue it in my own name.” [[Continue|Gerard 6]]

There is little surprise at your response. You are the ruling countess of Flanders, and you have many reasons why you should issue this charter. The members of the regency council nod in agreement. However, your aunt questions you, “Why should you ransom Gerard of Mons, even if it is on your own?” [[Continue|Gerard 7]]

Your aunt is not necessarily disagreeing with your statement. She is making sure you understand what goes into making a decision so you can become a more capable leader. [[Continue|lordly duty]]

“I am Gerard’s lord. As it is his duty to prevent injury to me, my possessions, and my honor and to do good on my behalf, I am bound by the oath of fealty to reciprocate. It is my responsibility to ensure his safe return to our lands. [[Continue|diplomatic influence]]

“It will also increase our influence through diplomacy. Our efforts to gain Gerard’s freedom mean that we have been working closely with the Order of Hospitallers. Ensuring their success in their negotiations to free Gerard might benefit us later. “This will show the lords of other lands that we have a stake in relations in the East and can successfully guide change there. [[Continue|Christian virtue]]

“It is a good model of Christian virtue to fashion my behavior after the Virgin Mary, Queen of Heaven, who ransomed the souls of sinners. “Likewise, I am called to follow in her footsteps and work to free those oppressed and bound in chains. [[Continue|castellan]]

“Finally, it will improve our relations with his family in Mons. “The castellan is important to us because he manages the castle and the surrounding estate in our absence. He secures military defenses and administers justice in our stead. “Thus, it is important to maintain a good relationship with your castellan, and working to free his son will support our ambition.” [[Continue|aunt pleased]]

Your aunt nods, pleased by your detailed explanation of how you made your decision. Yet, there is one more reason which you left unsaid. [[Continue|damage of imprisonment]]

While there are many reasons to ransom Gerard as a political display, you know firsthand from the story of your unfortunate father the damage an imprisonment can cause. If you can aid in preventing this from happening to another family, you want to help. Moreover, as Gerard fought during the Fourth Crusade with your father, he might have some more information regarding your father’s fate. [[Continue|what reason matters most]]

What reason matters most to you?... [[Duty as his ruler]] [[Increase influence through diplomacy]] [[Religious devotion]] [[Improve relations with his family in Mons]] [[Personal sentiment]]

As you continue to assume the duties and power as ruler of the county of Flanders, you know that it is most important to work in the best interests of your county and your own position by upholding the oath of fealty. [[Continue|hospitallers]] (set: $lordliness to $lordliness + 1)

You know that others perceive you as weak, and this is an excellent method to demonstrate your diplomatic acumen and powerful connections. [[Continue|hospitallers]] (set: $diplomacy to $diplomacy + 1)

As a fervent believer, you believe that fulfilling earthly needs is subordinate to following a pattern of holiness, so you must find ways of exercising earthly authority in conjunction with the model of Christ, his mother, and all the saints. [[Continue|hospitallers]] (set: $piety to $piety + 1)

You know that the years of your reign will likely be filled with strife and that you could use all the allies you can get. Your castellan in a major city would be a most helpful one to have. [[Continue|hospitallers]] (set: $community to $community + 1)

Helping one’s relative return as your father was unable to do is chief in your mind, and the possibility of more information about your father is an additional benefit. [[Continue|hospitallers]] (set: $family to $family + 1)

“One moment - I would like to oversee the composition of this charter with the chancery. I want to convey a message of friendly feeling to the Hospitallers. We have worked with them before, they are our allies.” While you may not write the words of the charter yourself, you want this charter to be less dry and imperious than most as this matter is very close to you. [[Continue|walter intro]]

The members of your regency council seem uncomfortable with this request, but Walter, who was your father’s favorite clerk, steps forward. As he sits at the table with a wax tablet to take notes to write the official charter, he smiles at you warmly, and says, “What would you like it to say, my lady?” [[Continue|message in charter]]

You think for a moment. “Well, I want to begin by stating that I send greetings and friendly sentiments. Then, it should say that for the sake of my beloved knight, Gerard of Mons, I constitute myself a hostage to them for the ransom money in the same manner that my husband did.” [[Continue|response to message in charter]]

As you finish, Walter looks up appearing quite shocked, “My lady, are you sure you want to say that you constitute yourself as a hostage?” “Yes. It was what was written in the previous charter.” “There are other, more common, ways to state the same intent.” [[Continue|response to message in charter 2]]

Walter is correct. This phrasing is more commonly used in lower stakes land negotiations, not in a matter as serious as ransoming captives. However, while declaring yourself a hostage will not actually imprison you in this case, you are drawn to the symbolism of offering your body to free another. Ferrand had wanted it that way for the first charter, and you intend for it to be the same way in the second. [[Continue|end to message in charter]]

“What I have said, I want written.” Walter nods, “Very well, my lady, it shall be done as you request.” With that, he leaves to write the charter for you. You pray that your efforts will be successful, and then turn your attention to other matters. [[Continue|update on Margaret]]

Another member of the council, Reynard, stands. He has a somber countenance. “My lady, the next matter is very distressing. I regret to inform you that all efforts at extricating your sister from her unfortunate state have failed.” You can sense all the blood leaving your face. [[Continue|Margaret backstory 1]]

After your marriage to Ferrand, your sister was placed in the care of a seemingly loyal nobleman from Hainaut, Bouchard of Avesnes. You thought he could be trusted because he was knighted by your father. The regency council’s negotiations to betroth Margaret to the young son of an English nobleman were thwarted by the French king with Bouchard’s assistance. [[Continue|Margaret backstory 2]]

To your horror, Margaret then attested in front of the court in Hainaut that she would take no husband but Bouchard and the two were wed. She was twelve years old and manipulated into a marriage with little benefit for her. [[Continue|Margaret backstory 3]]

You had hoped to bring Margaret to your side at your court, but you have had little word from her since her marriage. All your petitions to the French king for his assistance in annulling the marriage have been ignored and now you learn that your latest effort has also been unsuccessful. [[Continue|how to break up marriage]]

“My lady, what is your opinion on our next step?” You pause and think for a moment. How do you break up the marriage? [[Find damning information about Bouchard]] [[Attempt to contact Margaret]] [[Ask the Pope’s help]]

“There must be more to Bouchard of Avesnes than we initially realized. The circumstances in which he married my sister prove that he is not honorable. He likely has secrets he would rather keep hidden. “We discover them and use them to put an end to the marriage whether we blackmail him or force the French king to assist.” Reynard replies, “That is a wise course my lady, but it will take time to find that information. Moreover, there is no guarantee that it will work.” [[Continue|Ferrand entrance 1]]

“I will write to my sister again. I do not believe that she would willingly do this as it is not like her. “Perhaps if I write to her regularly, she will come back to us and let us help her. ” Your advisors nod, but you can see that they do not believe this plan would work. [[Continue|Ferrand entrance 1]]

‘We must petition the highest power we can reach. The Pope is the only one who can annul the marriage.” Reynard replies, “That is true, my lady. However, does he have any reason to agree to the annulment at this point?” Everyone in the room seems unsure. Though annulments are not uncommon in the case of undesirable marriages of monarchs and lords, one still needs to provide evidence that the marriage was invalid from the beginning. [[Continue|Ferrand entrance 1]]

While everyone solemnly sits in silence, pondering the problem of your sister, your husband finally arrives to join the meeting. Though everyone appears solemn, he does not recognize this and greets you all in good spirits. “Hail! How fare you all?” [[Continue|Ferrand entrance 2]]

Without waiting for a response, he turns to you. “My lady wife, how was the day?” How do you respond to Ferrand? [[Greet him with a smile]] [[Greet him with a nod]] [[Pay more attention to the matter at hand]]

“My lord and husband, it is a pleasure to see you. Please join us.” Despite being married a year, you feel that you still do not fully know the man. Your aunt says that might always be the case, but you still need to learn to work well with him. You are more than willing to oblige. He is your husband and thus your most important ally and asset. He returns your smile and takes his seat. [[Continue|Ferrand entrance 3]] (set: $Ferrand to $Ferrand + 2)

“Hail, my lord and husband, please take a seat.” Despite being married a year, you feel that you still do not fully know the man. Your aunt says that might always be the case, but you still need to learn to work well with him. You try your best, but interactions between you and Ferrand remain somewhat tense. Ferrand thanks you and takes his seat. [[Continue|Ferrand entrance 3]] (set: $Ferrand to $Ferrand + 1)

The situation with your sister has so distressed you, that you barely acknowledge your husband’s presence. Despite being married a year, you feel that you still do not fully know the man. Your aunt says that might always be the case, but you still need to learn to work well with him. In your stilted conversations with him, you find that you have little in common with your husband. While love is not a requirement for a political marriage, you had hoped to find a fondness with your husband. This now seems unlikely. Undeterred by your surliness, your husband takes a seat at the table without being asked. [[Continue|Ferrand entrance 3]] (set: $Ferrand to $Ferrand + -1)

“What are we discussing?” he asks. Aunt Matilda responds, “We are discussing possible schemes to put an end to the marriage between your wife’s sister and Bouchard of Avesnes.” Ferrand grimaces. “That is a most unfortunate matter. However, I am sure you all are capable of resolving it.” [[Continue|Ferrand entrance 4]]

He speaks no more after that, offering no suggestions or any form of comfort. You are disappointed and upset on your sister’s behalf, though you know it would not affect Ferrand too deeply as he has only known Margaret a few short months. [[Continue|Ferrand entrance 5]]

As you are deciding what to say, Ferrand speaks before you have the chance. “I must admit I am not here to join the council meeting, but to ask if my wife would dine with me alone.” [[Continue|Ferrand entrance 6]]

This surprises you.You typically take dinner with members of your court. There must be something Ferrand wants to discuss. “Very well. I accept your invitation.” [[Continue|dinner 1]]

You dismiss the members of your council, and walk with your husband to the hall where you will dine tonight. The food and wine are simple, and you can barely taste them as Ferrand collects his thoughts. “Wife, I have heard from the King of England. We are moving forward with an alliance.” [[Continue|dinner 2]]

The news does take you by surprise, though you knew Ferrand was seeking to form a political alliance. While Ferrand does not share all of his plans with you or the council, you have heard that he had been exchanging letters with King John and Otto IV, an excommunicated member of a German dynasty who had surprisingly become Holy Roman Emperor. [[Continue|dinner 3]]

He continues, “King John has ambitions on the continent of reclaiming the land of his forebears lost to the French. It seems that our goals align.” “When do you expect the alliance to be confirmed?” “This summer.” [[Continue|dinner 4]]

Your heart sinks. You had hoped for a few more months with little aggression. A war may make it more difficult to free your sister from her marriage, and it will certainly bring further instability to the land. You have barely begun to reckon with the existing concerns. “Are we prepared for what may come of this?” [[Continue|dinner 5]]

Ferrand becomes agitated by your words. “We must be ready. We do not know the day when the French king will strike again. We were unprepared the last time. It cannot happen again. We cannot let it happen again.” [[Continue|dinner 6]]

Ferrand grows angrier and angrier. As he continues his rant, his already accented French becomes even more difficult to understand. “That wolf of a king and his equally wolfish son have terrorized and subjugated Flanders for too long. They believe that you and I are weak, ineffectual, inexperienced. We must prove them wrong. They will not take any more from us.” [[Continue|dinner 7]]

Ferrand’s rage is so hot, you can almost feel the flames of a bonfire. You must think carefully about how to bring him back to learn more details of his agreement. You decide to… [[Agree wholeheartedly with Ferrand’s anger]] [[Agree but try to temper his rage]] [[Stay silent]]

You decide that agreeing with your husband would be the quickest way to resolve the situation. Moreover, you concur with what he is saying. While Ferrand is upset at the humiliation of having land taken from him shortly after receiving it through marriage, you have been robbed of part of your birthright. “You are absolutely right, my husband. We must put a stop to French overreach in Flanders and vindicate our losses. Tell me more about this alliance, so that I may do my part as well.” Ferrand remains furious, but it seems he is more clear-headed after hearing your words. [[Continue|dinner 8]] (set: $lordliness to $lordliness + 1) (set: $Ferrand to $Ferrand + 1)

You decide to agree with Ferrand but try to shelve the issue for this evening. You are also upset at what happened to you when you were journeying to Flanders shortly after your wedding, but you feel there is no benefit in making plans while angry. “I agree with you, my husband, and I am grateful for your efforts to make allies. Perhaps we can continue this conversation with the council and gain their thoughts?” Ferrand visibly relaxes. [[Continue|dinner 8]] (set: $diplomacy to $diplomacy + 1) (set: $Ferrand to $Ferrand + 1)

You hope that not responding to Ferrand’s tirade will cease further discussion on the matter tonight. Furthermore, you are not exactly sure what you could say that would improve things. However, your lack of engagement only makes Ferrand even more upset. “Wife, are you not listening to me? Are you not troubled? This is your birthright which was lost and which I am working to regain.” Still, he speaks no more because he feels it would be a waste of time to continue talking about the alliance with you. [[Continue|dinner 8]] (set: $lordliness to $lordliness + -1) (set: $Ferrand to $Ferrand + -1)

He then says, (if: $Ferrand >= 2)[ “After we finish eating, perhaps we might find the answers we seek in a good game of chess? The king does need the assistance of his queen to win.” ] (else:)[ “After dinner, we are going to play a game of chess. I think it will give me the answers I need.” ] [[Continue|chess 1]]

You grimace, though Ferrand does not see it. You loathe playing chess with Ferrand because his reckless playing almost always leads to a fight. Even on his best day, he is competitive and does not accept losses graciously. Given your solitude during your time at the French court, you have become a rather experienced player since you and Margaret had little else to do outside of lessons, and you were urged to play chess as a means of training for your position as Countess. [[Continue|chess 2]]

Your chess set was a gift from the bishop of Tournai upon your marriage to Ferrand. He had hoped that it would not only aid you in developing strategy but also encourage your moral formation. It is made out of marble and polished to shine. The pieces are finely carved and you often find yourself holding them as you strategize your next move. [[Continue|chess 3]]

<img src="https://i.imgur.com/3UprIH3.jpeg" alt="14th century manuscript image of man and woman playing chess" width="400"> While chess matches can be slow, even lasting for days, you and Ferrand have both learned different ways to speed up the match. You play cautiously, attempting to keep as many of your pieces even if it means not taking one of his. Ferrand plays more carelessly, sacrificing pieces with no hesitation. Soon, you are in the endgame of the match. [[Continue|chess 4]]

With your experience, you can see that both you and Ferrand have good chances at winning. Your knight is in little danger and can put the king in check in a matter of a few moves. Conversely, Ferrand could take more of your pieces and put you in check if you don’t protect them. [[Continue|chess 5]]

A win for Ferrand would maintain the uneasy peace you have built since his rant during dinner. However, you are not so sure you believe that it’s better to maintain a facade of calm instead of openly showing our competence. [[Continue|chess 6]]

You decide to… [[let him win]] [[take the win for yourself]]

(set: $Ferrand to $Ferrand + 1) You do not wish to cause an argument before you go to bed. You also know that the best way to form the close working relationship your aunt advised is to let Ferrand think he is in control. Ferrand is rash not only in chess but in his actions as lord. If you have any hope of tempering them, you must make him trust you. You believe sacrificing what would be a well-earned win would be worth it to improve your relationship with your husband. Therefore, you decide to focus on protecting your pieces, while ensuring a path for Ferrand to win, and he manages a victory in a few moves. [[Continue|let him win 2]]

(set: $Ferrand to $Ferrand + 1) Though it may cause an argument, you decide that it is much better to be honest with him. Ferrand may be your co-ruler, but his power stems from you. Just as it is time for you to grow into lordship, it is time for him to stop acting like the impetuous younger son he was and work with you as an equal. Even if he resents you for it, it is worth a lack of affection to curb his rashness. You unleash your pieces, playing skillfully and boldly. Soon enough, Ferrand’s king is in check. [[Continue|take the win for yourself 2]]

He seems much more composed than earlier. “Thank you, wife. I always enjoy our chess games together because I learn much from playing with you. I will be sure to find you tomorrow to continue our discussion about the alliance. I want to be sure that we are in agreement before we present it to your regency council.” [[Continue|let him win 3]]

With that, he kisses your forehead and leaves to go to bed. You summon your handmaidens to put away the chessboard and prepare you for bed. [[Continue|make your way to bed]]

When you finally make your way to bed, sleep does come quickly, but your slumber is plagued with terrible dreams, providing you no rest. You dream about your sister’s marriage, the possible war with France, and failing to be the lord that your lands need. [[Continue|dreams]]

Wordlessly, he gets up from the table, sweeps the pieces from the board onto the floor, and leaves. While you know Ferrand would never physically harm you - not just because the regency council is a careful guardian but because it is not in his character - it does not cause you any less distress. [[Continue|take the win for yourself 3]]

Despite his temper, he is still your husband and it is necessary for you to be able to rely on him even if you do not like him and he does not care for you. You summon your handmaidens to pick up the chess pieces from the floor and prepare you for bed. [[Continue|make your way to bed]]

Though the dreams provide you no answers to your dilemmas, they do still give you an important message: you have no way of knowing the outcome of any of these matters, but your decisions will still have great consequences, so you must be careful in how you act. [[End Chapter 1]]

Before you proceed to Chapter 2, please fill out the short form for Chapter 1: <a href="https://forms.gle/VCuUyFuNk3N6PFZJ7" target="_blank" rel="noopener noreferrer"> Chapter 1 Survey </a> <a href="https://forms.gle/db7KJxPQJxeXsC6bA" target="_blank" rel="noopener noreferrer"> Report glitches here! </a> [[Proceed to Chapter 2]]

About a year has passed since the events of Chapter 1. Ferrand formed an alliance against the French King along with King John of England and Emperor Otto. They have been at war since... [[Begin Chapter 2]]

//July 1214, Your aunt’s castle in Nieppe// It is late at night, but you cannot bring yourself to go to bed. You are restless because you are desperate for the latest news of your husband’s military action against the French. You know that the forces led by your husband and his allies have been on the move. [[Continue|frenchtroops1]]

A victory means the opportunity to assert your power and to gain back lost territory. A loss… you can’t bring yourself to think about a loss. Though a loss would have terrible consequences and subject you more to the French king’s power, this is not an outcome which has yet occurred. [[Continue|pacing 2]]

Hopefully, by the time conflict happens, you will be prepared whatever the outcome. Still, you pace back and forth across the floor, annoying your aunt who is sitting across the room from you and will remain there until you go to bed. “Child, you are making me dizzy with your walking in circles. Come, sit by me and let us read together.” [[Continue|reading 1]]

Chastened, you do as she says. After you sit, you ask, “What are you reading?” “I am reading Ancient History Before Caesar, written by one of the authors of your court, Wauchier de Denain.” [[Continue|reading 2]]

You can see by the illuminated illustrations that she is reading the section about the Trojan War. By her choice of reading, you can tell that your aunt is nervous as well, though she may try to hide it. Ferrand is doubly her nephew - by her marriage to you, but also as the son of her brother, the King of Portugal. She is particularly invested in his safety and also his achievements. [[Continue|reading 3]]

As she starts reading to you about Hector’s death at the hands of Achilles, your mind starts to wander. Though you do enjoy the stories about the exploits of the Trojan War, you are more interested in the stories of what happened immediately following the war. [[Continue|reading 4]]

You especially enjoy the character of Penelope, the wife of the hero Odysseus who insisted on her husband’s survival after many years missing and outsmarted those who tried to force her into another marriage. You admire her courage. Insisting on her husband’s survival for so long with nothing to prove her belief would have been distressing. You lost hope for your father many years ago, and you never even knew the man. [[Continue|reading 5]]

When your aunt sees that you are not paying attention, she closes the book and is silent for a moment before saying, “In difficult times, I find it helps to read stories about people of the past. They experienced events similar to ours if not more devastating. It provides me a sense of comfort to know that no matter how dire a time is, people will still record it for posterity.” [[Continue|memory 1]]

When this garners no response from you, she continues, “When this incident with France is resolved, I believe that I will commission one of the court’s writers to author a history of my husband’s life. I am getting older, and I want to be sure that my husband’s story can be read many years from now just like the stories of the Trojan War. [[Continue|memory 2]]

You believe this is a very worthy task for your aunt. Her husband was a much beloved count, and many consider him a hero for taking the cross twice. Still, you have to wonder… “Would it not cause you pain to recount the difficulties you endured? To remember the ongoing war with France when you were first married or the day you received the news that your husband had died at the Siege of Acre?” [[Continue|memory 3]]

Your aunt puts down her book and reaches out to you. You allow her to envelop your hand with hers. “Of course it will be difficult, my child. Every time I heard that my husband was involved with a battle or a siege or was otherwise in any kind of danger, it was like I was there with him. “However, this is why it is important for me to tell his story. Since I experienced his pains as his wife, it is now my duty to tell his story from his perspective. [[Continue|memory 4]]

“Many have written about him, and many more will continue to write about him. Some will portray him as a hero, some will try to paint him as the devil himself. “We women, though we may not be present with our husbands, fathers, or sons during their military exploits, are in charge of their memory. We must interpret the events of their lives and deaths and decide how to tell their stories. “This will be a task given to you one day as well…” [[Continue|arrival of squire 1]]

At that thought, you hear the sound of a galloping horse and a gate being raised. You run over to the narrow window and, by the light of torches, you can see a squire on a horse with a blanket bearing the sable lion of Flanders. <img src="https://i.imgur.com/iL56p2L.png" alt="flanders coat of arms" width="200"> [[Continue|arrival of squire 2]]

“Aunt, it is one of our squires. He seems to be here to deliver a message.” At that news, your aunt’s face becomes more grim. [[Continue|arrival of squire 3]]

When you see this, you… [[smile weakly]] [[scowl openly]] [[remain stone-faced]]

You put on a feeble smile and say, “Come now, aunt. We do not know what news the messenger might bring. Let us not assume the worst.” Matilda sniffs at that response and does not say anything. [[Continue|arrival of squire 4]]

Your face must look unpleasant because your aunt says, “Child, you must not look like that. We must be strong, no matter what the message may be.” [[Continue|arrival of squire 4]]

You do not say anything or betray any emotion. Your aunt agrees with this course of action, and gives you a nod. [[Continue|arrival of squire 4]]

You both make your way downstairs in great haste and find members of your regency council along the way. As you walk into the great hall, you see the squire is covered with mud and dried blood. Though he is trying to appear brave, his face betrays his fear. [[Continue|arrival of squire 5]]

Upon seeing the squire, your heart almost stops. You know that the information the squire must share is dire. Your mind races through possible tragedies, but you are most concerned about… [[your husband]] [[the people of your lands]] [[yourself]]

(if: $Ferrand >= 3)[ Though it has its difficulties, you and Ferrand have formed a compatible partnership. It may not be love, but he knows what you need and helps you achieve it. ] (else:)[ Though you and Ferrand often argue about the best course of action, you do not wish him to be harmed or killed. You need him to help you with the burdens and duties of ruling. ] [[Continue|arrival of squire 6]] (set: $Ferrand to $Ferrand + 1)

The people of your lands have already greatly suffered with the French troops burning and pillaging villages. You do not wish for them to contend with more turmoil. [[Continue|arrival of squire 6]] (set: $community to $community + 1)

You are concerned about what this news could mean for you. You spent most of your childhood away from home, under the heel of a foreign king. You do not wish to return to that situation only two years after breaking free. [[Continue|arrival of squire 6]] (set: $lordliness to $lordliness + 1)

The squire upon seeing you kneels in an act of submission. Your voice slightly quavers but holds strong as you say, “Rise and speak.” [[Continue|news of squire 1]]

The squire says, “My lady, I am the bearer of horrible news. We encountered the French troops near the town of Bouvines. I regret to say that my lord, your husband, was there taken prisoner by the French king.” [[Continue|news of squire 2]]

Upon hearing the news, you… [[sink to your knees in despair]] [[grit your teeth]] [[freeze in panic]]

You’re not sure how it would be perceived, but you can’t help it. You need to cry. Everyone around you looks uncomfortable with this display of emotion, but no one says anything. You are not only lord, but it is your duty to mourn your husband. Eventually, you feel your aunt’s arms around you as she picks you up off the ground. [[Continue|news of squire 3]] (set: $Ferrand to $Ferrand + 1)

You cannot cry and look like an emotional fool in front of all these people, so instead you grit your teeth and say nothing. [[Continue|news of squire 3]]

It is as if your mind stops working for a moment. You cannot think and almost forget to breathe. Then all at once, you hear the news again and you come to. [[Continue|news of squire 3]]

Feeling ill after this revelation, you stumble into a chair. Your aunt Matilda places her hand on your shoulder and though her eyes are a little wet, she speaks with her voice strong, “Tell us what happened.” The squire sighs and begins the sad story… [[Continue|squire account 1]]

“As you are aware, the forces of the French king have been wreaking havoc in Flanders for the past several months. We retaliated, also burning and pillaging villages, but both of our armies made efforts to avoid direct conflict. [[Continue|squire account 2]]

“However, on our way to the English king, with whom our leaders could make strategic decisions, we unexpectedly came across the forces led by the French king. “The closeness of our armies necessitated that a decision needed to be made quickly as to what should be done. [[Continue|squire account 3]]

“Eventually, it was decided by the leaders on both sides that the armies should meet in formal battle.” Upon hearing this, you gasp. The present councillors also react in astonishment. [[Continue|squire account 4]]

Direct conflict in battle is not a desirable way to resolve a dispute. Besieging towns or cities, burning resources - these are more common ways to fight because they usually result in fewer casualties and allow for more maneuverability of the army. This method also usually leads to easier negotiations, because the enemy is typically desperate to cease the destruction of their lands. [[Continue|squire account 5]]

A battle means that all your forces and resources are focused on one goal. That means the likelihood of higher casualties. It also leads to a greater possibility that noblemen like knights and barons or even royal princes and kings might be killed. The death of such esteemed men would not only lead to political chaos, but the code of chivalry, the rules of good behavior for noblemen, strictly declares such behavior is dishonorable. It would be virtuous to participate in God’s battle against pagans, but a battle between those equal in nobility can lead to no good. [[Continue|squire account 6]]

Moreover, declaring battle is a sign that you are willing to submit to God’s judgment and let Him decide who is worthy. A win means that you were favored by God, a sign of your appointment by Him to rule. A loss would mean that you were found wanting, that God did not favor you. [[Continue|squire account 7]]

As if to bring you out of your thoughts, your aunt asks, “How did the battle begin?” The squire responds, “We Flemings began the fighting. [[Continue|squire account 8]]

“It seemed to go well at first. The knights easily disposed of the French cavalrymen, unhorsing them and driving them back. “This turned quickly.” [[Continue|squire account 9]] (set: $askedFault to false) (set: $askedReckless to false) (set: $askedOthers to false)

This leads you to ask a question: (You must choose all to continue) (If: not $askedFault)[* [[Was this a fault in the command of my husband?|Ask Fault]]] (If: not $askedReckless)[* [[Did any of the knights act recklessly?|Ask Reckless]]] (If: not $askedOthers)[* [[Where were the other leaders?|Ask Other Leaders]]] (if: $askedFault and $askedReckless and $askedOthers)[ ---- [[Continue|squire account 10]]]

The squire exclaims, “Oh no! Your husband was very brave. He continued to rally his troops. He put the entirety of his forces into beating back the French.” When you hear that, you immediately look over to your aunt, who remains impassive as is her manner. The squire is quite young and is naturally still in the early stages of lessons on tactics and strategy. Meanwhile, you have studied both as a necessity in your role as reigning countess, an opportunity often given to noblewomen though it was not seen as feminine. You and everyone else there who had studied tactics knows that this is a bad decision as it increases the risk of a worse outcome than if you had kept some troops behind. (if: $Ferrand >= 4)[ You had hoped your influence on Ferrand would lead him to think more carefully about his choices which would in turn cause him to become more strategic. ] (else:)[ You had expected something like this could happen because Ferrand continued to act far too rashly in his previous dealings with the French despite your wishes that he be more cautious and cunning. ] (set: $askedFault to true) [[Back|squire account 9]]

The squire winces at this question and says, “While it was not the main cause of the loss, some knights were too eager to disobey commands. “They left their formations to go after the remaining French cavalrymen. “Along the way, they were ambushed - captured or killed by French knights.” You realize that the loss of their brothers in arms likely rattled many of the other knights, which perhaps led them to not act rationally and make the situation worse. (set: $askedReckless to true) [[Back|squire account 9]]

The squire answers, “They stayed back. It seems that there might have been some disagreement between the leaders about how to proceed. I heard that the count of Boulogne might not have wanted to go into battle but was pressed into it by the other leaders.” You think that this makes sense because it was the first time all our troops had to fight alongside each other. The lack of King John’s presence led to disunited forces, because the English king was the one who united all of you. The other lords likely did not want to listen to one another or King John’s representative. (set: $askedOthers to true) [[Back|squire account 9]]

The squire continues, “It was only after receiving many grave wounds that the count was captured. After your husband’s capture, the king of France himself went onto the battlefield in the center.” [[Continue|squire account 11]]

This surprises you, for you know he is no great warrior. Unable to help yourself, you ask, “Why?” The squire answers, “The emperor advanced.” [[Continue|squire account 12]]

With that you immediately realize that the French king was trying to draw a parallel between himself and the Holy Roman Emperor. He was proving himself to be the holy king of the Franks in the line of Charlemagne against the excommunicated Holy Roman Emperor. [[Continue|squire account 13]]

The squire continues, “It was at this stage of the battle that the greatest achievement for our side occurred. Several German knights unhorsed the French king, nearly killing him, though he was saved by his knights.” [[Continue|squire account 14]]

You ask the squire, “What of the emperor?” He responds, “It’s difficult to say. The French are claiming that he fled the battlefield when it looked like he was losing.” [[Continue|squire account 15]]

You consider this. Your interpretation of the news will affect how your people understand what happened during the battle. What story should you choose to tell them? [[You tell them that the emperor ran away due to cowardice.]] [[You tell them that the emperor fled due to the superiority of the French forces.]] [[You tell them that the emperor became lost in the confusion of battle.]]

While the emperor seemed like a strong and valuable ally, you were not pleased with his character and thought him a bully. Bullies are cowards who run away at the first sign of a stronger opponent, and by fleeing, Otto doomed your husband and your knights to bear the brunt of punishment. [[Continue|squire account 16]]

The emperor made a valiant effort to push back the armies of the French king, but by the point that he intervened, your forces and those of your allies had already been overwhelmed. It was a crushing defeat, and he chose to flee rather than risk being captured because he knew his fortunes had changed. [[Continue|squire account 16]]

The emperor did not willfully leave his troops behind, but he lost control over his forces in the chaos of the battle. Battles are often lost due to knights not following orders and acting as they deem fit, not as their commander wishes. They might also be lost because soldiers have not received proper training. He had to make a swift decision to escape for his own safety, hoping that his army may join him or might have already retreated. [[Continue|squire account 16]]

You then ask, “What happened after the emperor escaped?” The squire answers, “The count of Boulogne, the one opposed to battle to begin with, made a last stand. [[Continue|squire account 17]]

“It was magnificent. I even overheard some of the French surprised by how long he held out. “However, his troops too were overwhelmed, and the count of Boulogne captured as well. “It was after this that I was ordered to come to you with the news of the French king’s victory and the imprisonment of your husband and his allies.” [[Continue|squire account 18]]

You ask, “Who gave that order?” The squire says, “It came directly from the French king.” [[Continue|squire account 19]]

This was a challenge then. Not only did he want to assert his power, but he was watching very carefully to see how you would humble yourself to lessen the consequences for your lands and to gain your husband’s freedom. [[Continue|damages 1]] (set: $area to false) (set: $casualties to false) (set: $captives to false)

You need more information to decide how to proceed. So, you decide to ask about… (You must choose all before you continue.) (If: not $area)[* [[the damage done to the surrounding area]]] (If: not $casualties)[* [[the number of casualties]]] (If: not $captives)[* [[other notable captives]]] (if: $area and $casualties and $captives)[ ---- [[Continue|damages 2]]]

(set: $area to true) “You mentioned the French burning and pillaging villages before the battle. Do you have additional information about the extent of damages?” “Only a few days before the battle, the city of Tournai was ravaged on the order of the French king. Buildings and the crops of farms near the city were all burned, and the city was fully plundered. The castle of Mortagne near Valenciennes was also destroyed on the king’s orders.” [[Back|damages 1]]

(set: $casualties to true) “Before you left, was there a first number of how many may have died in this battle?” “They were saying over a hundred and fifty of our knights were killed, but the number of casualties amongst the foot soldiers was so great that it was countless.” [[Back|damages 1]]

(set: $captives to true) “Besides my husband and the Count of Boulogne, who else of our allies were captured?” “The Earl of Salisbury, William Longsword, is now also imprisoned. Over twenty barons and a hundred knights were taken as well.” [[Back|damages 1]]

After the squire finishes his account, everyone is silent. The additional information proves that this endeavor was a disaster in every way. A major city has faced mass destruction. Along with a large number of casualties, many important men have been taken prisoner. One of your key allies deserted you. Overall, your and your allies’ armies were disorganized and disobedient. [[Continue|damages 3]]

The scale of this loss reminds you of the passage your aunt was reading to you just a short while ago about the death of Hector. Your husband is still alive, but, like Hector, he was a prince who faced a terrible defeat while forestalling the invasion of foreign forces. The loss of these princes ultimately led to the devastation of their armies. [[Continue|damages 4]]

However, now is not the time to reminisce over past events and search for answers about where you went wrong. Now is the time to act quickly to avert further disaster. You must be prepared to meet the French king from a position of humility but also strength. [[Continue|damages 5]]

You say to the squire, “Thank you for your account. I am sure you are tired after such a long journey. Chambers will be prepared for you.” The squire, realizing that he has been dismissed, bows and is led away by a servant. [[Continue|council 1]]

You turn to the members of your regency council, “We must discuss now how we will act based on the news of this catastrophe.” Though the councillors appear tired and are likely distressed at what this news could mean for their family and friends, they are not going to deny your request after a devastating report about your husband. [[Continue|council 2]]

Your aunt says, “Much damage has come from this battle, and it will take a long time to recover. What should be our first priority?” Already you know that it is more important for you to [[advocate for the freedom of Ferrand and your nobles and knights]] [[prepare your lands for the struggles yet to come]] [[show our strength]]

“We must focus on how we will ransom those captured in battle, including my husband. It is my duty as lord to work for their safety.” [[Continue|advocate 2]]

“The French king will likely demand much in reparation for our loss and the burning and pillaging of the allied armies before the battle. We will likely have to turn over many of our defenses, and there will certainly be a large ransom. Let us find a way to protect our people and encourage trade to continue to raise the necessary funds swiftly.” [[Continue|prepare 2]]

“Much will be written about this battle, and most of it will not be favorable toward us. In order to gain our people’s trust before the difficulties that lie ahead, it must appear that nothing has changed. Therefore, we must put out our own interpretation of events and control how our people perceive it.” [[Continue|show 2]]

“We must focus on how we will ransom those captured in battle, including my husband. It is my duty as lord to work for their safety.” [[Continue|advocate 3]]

Another councillor, Michiel, replies, “But how long would it take to be fully prepared? How could we justify letting our own stay imprisoned for so long while we deliberate and devise a plan?” [[Continue|advocate 4]]

Your councillor, John, says, “How can we arrange ransoms for the prisoners when we do not yet know what the French king will demand of us?” [[Continue|council 3]]

Your councillor, Michiel, says, “This seems like a wise plan. If we act as if all is well, then the people will follow our example. This loss will certainly not make us popular with the common people, so we must try to gain back their trust.” [[Continue|prepare 3]]

However, your aunt seems unsure, “While this plan could lead to a better outcome, I am afraid that it may lead us to lose sight of the largest problem. Many of our men, including the count himself, have been captured and will remain imprisoned. That alone will cause many not to trust us, no matter what other efforts we make.” [[Continue|council 3]]

Your councillor, John, interjects, “This risks angering the French king further. Would it not appear like we lack humility and shame for the unfortunate events?” [[Continue|show 3]]

Another, Michiel, responds, “It also does not practically prepare for the reparations we will have to pay.” [[Continue|show 4]]

Another councillor, Reynard says, “Even so, good morale will be necessary too if we will ever get past this.” [[Continue|council 3]]

The members of your regency council continue to debate over options, as you sink further into your chair. The magnitude of this disaster is so large that it does not really matter where you begin. Your name will be blackened forever regardless. [[Continue|council 4]]

It is true that consequences can be borne more easily with a co-ruler by your side. However, as a foreigner, Ferrand was already unpopular amongst your people, and his catastrophic loss will make him even more disliked. [[Continue|council 5]]

Preparations might help lessen the blow, but the aftermath will be felt for years to come. Showing strength will only help so much. There is no good path forward. [[Continue|council 6]]

You interrupt the frantic discussions, “It was an error on my part to begin this conversation now, and for that I must apologize. There is no aid that we can offer at this moment, so let us depart for the night and rest, though I am sure I will not sleep well tonight.” You, your aunt, and your regency council head to your respective bedchambers for what will be the restless night ahead. [[Continue|dj 1]]

As you climb up the stairs, you are suddenly overcome with such an immense burden of guilt that you believe it must come from a divine source. Therefore, when you see that no one is watching you, you walk not to your chambers but to the castle’s chapel. [[Continue|dj 2]]

Along the way, you cannot help but think about divine judgment. Was the loss because of evil actions you authorized or that were committed in your name? [[Continue|dj 3]]

You are reminded of horrific actions that your army committed in the land of Guines. You recall reports that Ferrand led your army in looting, pillaging, and burning many villages in Guines because their count, Arnulf, had transferred his allegiance from you to the more powerful French king. While the actions of your forces were understandable at the time, you now wonder if this was a step too far. To make matters worse, Ferrand ordered the burning of the property of a Benedictine monastery and accepted bribes to leave certain towns alone. Was this what offended God? [[Continue|dj 4]]

Perhaps it was the abduction of the Countess Beatrice of Guines which brought divine judgment against you. You have heard conflicting stories on the matter. What you heard from your husband’s report and from the countess herself is that she was a prisoner of her husband because she disagreed with his choice to ally himself with Philip Augustus. Thus, she exiled herself willingly to find safety in your lands. Still, her husband claims that your men took her by force. They were still married in the eyes of God and the law, so she must remain where he wishes her. [[Continue|dj 5]]

Now months later, you find yourself with a ravaged land, your spouse held captive by foreigners, and at the mercy of a more powerful lord. It seems to you that this is no mistake of fate, this is God handing down his judgment upon you. [[Continue|chapel 1]]

When you reach the chapel, you prostrate yourself before the altar. If earlier you had to numb yourself to hear the account of the battle and start to make plans, your tears are necessary here. You must show your contrition before God. [[Continue|chapel 2]]

Before the battle, you had thought yourself a Judith, the brave woman from the Old Testament who saved her people from the siege of the Assyrians by slaying the enemy’s general. You believed that your cause was a just one because you were protecting your people from the French enemy. Now, you feel more like a Jezebel, the wicked pagan queen who inflicted great pain on God’s chosen people and caused widespread devastation. [[Continue|chapel 3]]

As you kneel in front of the altar with tears streaming down your face and rending your garments, you begin to pray. “My Lord, I regret having offended you. I do not know the precise cause of your wrath, but I know that there have been many wrongdoings that must have angered you. “But my Lord, show me the mercy that I have not shown to others. I know that you taught that mercy will only be given to those who give it, but, my Lord, I am lost. [[Continue|chapel 4]]

“Wide swaths of my lands have been destroyed, but I will still have to extract as much coin as I can to make reparations and pay ransoms. “To appease the French king’s demands, I will likely not be able to guarantee the safety of my people. “I can bear all this, but please… do not let them take my husband. That I will not be able to tolerate. [[Continue|chapel 5]]

“He may be rash and reckless. I know that he certainly offended you, but Lord, I do not know if I will be able to rule without him. “I am not yet the woman that I am destined to be. I am not prepared… I am not ready to do this alone.” [[Continue|chapel 6]]

Having said the words aloud, your tears suddenly stop. A weight comes off your chest and you feel almost a sense of comfort. Though it is dark, you turn to look at a small carving of the Virgin Mary in one of the chapel’s niches which is lit by faint candlelight. <img src="https://i.imgur.com/OM1Pylu.jpeg" alt="13th century wooden statue of Mary" width="200"> [[Continue|chapel 7]]

She may have been the Mother of God, but she was a woman too. She felt much sorrow in her life, especially when she watched her son die on a cross. Perhaps she might understand the depth of pain you feel. [[Continue|chapel 8]]

“Holy Mary, show clemency to me, an unworthy sinner. Please intercede with your son for the safety of my husband. “I am not perfect, but I will live my life doing penance for my sins and the sins of my husband that we committed before the battle. [[Continue|chapel 9]]

“I will… [[give alms to religious orders]] [[institute reforms for the welfare of my people]] [[demand morality in my court]]

“I will give much of my wealth for the benefit of the holy men and women who do your will.” [[Continue|chapel 10]] (set: $piety to $piety + 1)

“I will enact policies to improve the lives of my people and establish hospitals to care for those in need.” [[Continue|chapel 10]] (set: $community to $community + 1)

“I will strive to put an end to debauchery at my court and lead them in better following the instructions of your Son.” [[Continue|chapel 10]] (set: $lordliness to $lordliness + 1)

As you are in the midst of your fervor, you hear a sound. [[Continue|chapel 11]]

Without looking back, you know that it is one of your handmaidens. Your aunt must have seen you leave and sent her. Since she too will have a hard time ahead, you decide to make things easier for her and go to bed yourself. [[Continue|bedchamber 1]]

As you walk to your bedchamber and as your handmaiden helps you undress, you continue to ponder why God willed the battle to be lost and your husband to be imprisoned. [[Continue|bedchamber 2]]

Your husband’s capture means the yoke of rule is now fully on your shoulders. You may be surrounded by people, but you feel alone in this burden.Though you will have your regency council’s guidance, it will be up to you to negotiate for the captives’ freedom and allay the consequences. [[Continue|bedchamber 3]]

It is also your sole responsibility to share a report of what happened at Bouvines with the people of your lands, which is how it will be remembered by many. However, tomorrow will bring many difficulties and important decisions to be made, so it is necessary to attempt to sleep. [[Continue|bedchamber 4]]

As you begin to rest your head, you wonder… What happens now? [[End Chapter 2]]

Before you proceed to Chapter 3, please complete the form for Chapter 2. <a href="https://forms.gle/ReZqWnJzAJ9GFsDZ6" target="_blank" rel="noopener noreferrer"> Chapter 2 Survey </a> <a href="https://forms.gle/db7KJxPQJxeXsC6bA" target="_blank" rel="noopener noreferrer"> Report glitches here! </a> [[Proceed to Chapter 3]]

You have little time to continue your pondering as a flare of bugles indicates that the tournament. You are excited because the tournament you are hosting is of a new style. Previously, competitors would simulate a battle and attempt to capture their opponents. This was difficult to watch and understand. The new form of tournament on the rise is jousting. It used to be a side event at tournaments, but the elegant joust is starting to supplant the wild melee in popularity. You thrill at the opportunity to watch competitors ride by on horses and try to unseat each other. [[Continue|tournament 2]]

As the competitors ride in on their horses, they all take a moment to acknowledge you. Though the jousts may be exciting to watch, the competitors are likely not the center of attention for everyone in attendance. All the knights who are competing look to you for your support, each hoping that you will make him your champion. Those who are watching the tournament are watching you while viewing the jousts to see how you react and follow your example. [[Continue|first joust 1]]

The first bout is between Godefroid from Brabant in the territory just north of yours and Robert of Hampshire from across the sea in England. You do not have a particular interest in this bout as neither are from your lands. However, as you are a host of this tournament, it is necessary to appear attentive to the competition. You decide to cheer for… [[Godefroid]] [[Robert]]

He may not be from your lands, but his homeland is near to your territory, so you decide to cheer for the local hero. Within a few rounds, Godefroid has knocked Robert from his horse and the Englishman remains on the ground, trying to catch his breath. He does not get up, though he is still alive, giving the victory to Godefroid. [[Continue|second joust 1]]

You decide to cheer for the knight from across the waters because you would like to repair the relationship with England damaged after Bouvines. Robert was trained by William the Marshal, Earl of Pembroke, who is considered by many to be the best knight who ever lived. He is also the protector of the young king, Henry III. William himself is in attendance today, and you hope that cheering for his protege will open the door to good relations. Though he may have been knocked off his horse, Robert is on his feet, desirous of a win. He hooks his arm around Godefroid’s leg as he rides past and pulls him off his horse. The two begin to fight with swords, but eventually Robert has disarmed his opponent and with a sword at his neck, Godefroid is forced to concede and give Robert the victory. [[Continue|second joust 1]]

After an exciting first bout, the following jousts remain as exciting and engrossing. However, one announcement of competitors causes a silence to come over the attendees. [[Continue|second joust 2]]

One competitor is Bernart from Gascony in the duchy of Aquitaine. The other is Enguerran from Picardy just north of Paris, the man whose name makes everyone fall silent and look askance at each other. You have unfortunately met this man on multiple occasions during your time at the court of King Philip Augustus and several times after. [[Continue|second joust 3]]

Even if you had not, his reputation precedes him. He is considered to be a brute and a boor - unrefined in manner, openly fond of all forms of drinking and debauchery, and violent beyond reason in competition. It is a reputation as black as the crow from which his name derives meaning. [[Continue|second joust 4]]

The knights line up for the first pass, and by the end of it, Bernart is knocked off his horse. You can see that his leg is bent at an odd angle due to the force with which he fell. His helmet has come off and there is a deep cut on his forehead which is bleeding profusely. Most concerning, Enguerran’s lance seems to have penetrated Bernart’s maille shirt, and now the injured knight is coughing up blood. [[Continue|second joust 5]]

You hope that Bernart’s injuries are able to be healed, because if he dies as the result of a tournament, he will be denied a Christian burial due to the Church’s condemnation of tournaments. [[Continue|second joust 6]]

Paying no heed to his gravely injured opponent, Enguerran makes multiple passes through the field, holding his lance aloft and screaming at the top of his voice. The fight was so short that no one knows how to react. Therefore, it is up to you as the host to guide the others. You decide to… [[cheer for Enguerran]] [[remain silent]]

While it was bad form and against the knightly code to be so aggressive so early in competition, a victory is still a victory. You tentatively begin to cheer for Enguerran and others follow suit, though reluctantly. [[Continue|third joust 1]]

It may not be in the spirit of fair competition to not cheer for the victor, but neither was Enguerran’s overt violence. When you do not cheer for Enguerran, no one else does. This does not deter him, and he continues his arrogant behavior bolstered by the cheers of his few friends. [[Continue|third joust 1]]

Though spectators may have been horrified by the gore they witnessed only moments ago, that does not distract them from watching the next bout with interest. [[Continue|third joust 2]]

One competitor is Gilbert, who is of an ancient family of barons in Hainaut. You have already given favor to him and made him your champion. The other is Nicolaus who is from a family of ministeriales in Bamberg. Ministeriales are much like the knights of your land and the lands of the other competitors, but they differ in one notable way. The laws of the empire declare them as servile to a lord. Though they have more rights than the common man, they are still not free to move or wed as they wish and can even be given away by their lords. [[Continue|third joust 3]]

As the competitors take their positions, you consider Nicolaus, who is a mirror of your knight in so many ways, but who does not have the same freedoms due to his lineage. This makes you ponder about the nature of nobility. [[Continue|third joust 4]]

You believe… [[a noble character comes from blood]] [[a noble character comes from inner qualities]]

There is an inherent difference between nobles and the common people. Nicolaus’ good qualities come from his lineage of those who served their lords well, even if they were bound by their legal status to do so rather than an oath of fealty sworn to their lord. [[Continue|third joust 5]]

Though Nicolaus comes from a family who served their lords well, even if it may be because of their legal status, it is because of his virtuous character that he is a good knight who is able to stand alongside the finest knights many lands have to offer. [[Continue|third joust 5]]

The joust between your knight Gilbert and Nicolaus lasts many passes. Eventually, your knight unseats his competitor and is too quick to be unseated by a standing Nicolaus. As your knight lifts his lance and bows before you, you lead the audience in rapturous applause. When Gilbert goes to acknowledge Nicolaus, you have the sense that he let your knight have a slightly easier victory to show respect to you. As they walk past, you give both of them a warm nod. [[Continue|fourth joust 1]]

Next is a bout in which you are quite interested, Peter of Dreux against one Gui from Namur. [[Continue|fourth joust 2]]

As the competitors make their passes to present to you and the other nobles in attendance, you notice Peter break away and ride up closer to where you are seated. He speaks in a confident but not overbearing voice, “My lady, due to the recent death of my beloved wife, I am without the superior guidance of a lady to support me. May I ask you to bestow your favor upon me?” [[Continue|fourth joust 3]]

Everyone looks surprised that he would ask you in this way and you are taken aback yourself. Still, you must give him an answer… [[Yes, because you are pleased he would ask you.]] [[Yes, because it would make you appear benevolent.]] [[No, because you are annoyed and embarrassed.]]

You smile widely as you nod. You remove one of the sleeves from your dress as it easily comes off and is the most traditional favor to bestow. You look into Peter’s eyes as you tie the sleeve onto his lance. He smiles at you in the same roguish way and rides off to begin the first pass. [[Continue|fourth joust 4]] (set: $romantic to $romantic + 1) (set: $secondChoice to "romantic")

You smile widely as you nod. You remove one of the sleeves from your dress as it easily comes off and is the most traditional favor to bestow. You look into Peter’s eyes as you tie the sleeve onto his lance. He smiles at you in the same roguish way and rides off to begin the first pass. [[Continue|fourth joust 4]] (set: $political to $political + 1) (set: $secondChoice to "political")

You are offended that he, a stranger you have not met, would dare to ask you for a favor so publicly. You have half a mind to insult him, but you know that you must be civil. While propriety is on your side for not bestowing favor on him as you are married and he is not from your lands, your diplomatic relations would be damaged if you showed your anger. You smile at him mirthlessly. “I am sorry, my lord, but I have no favor that I can bestow upon you for I have given it to the chief competitor from my lands.” He pauses for a moment, looks at you intently, bows, and rides to begin the pass. [[Continue|fourth joust 4]] (set: $disillusioned to $disillusioned + 1) (set: $secondChoice to "disillusioned")

During the first pass, the riders seem cautious, as if they are trying to discern the other’s weaknesses. [[Continue|fourth joust 5]]

The second pass, they appear more resolute though they are not using full force. [[Continue|fourth joust 6]]

By the third pass, they are confident, riding faster and putting more strength behind their thrusts. [[Continue|fourth joust 7]]

The fourth pass is much the same, but on the fifth pass, Peter manages to knock his opponent off his horse. Gui is uninjured and attempts multiple times to pull Peter off his horse, but Peter is too quick and cunning, and the tired opponent is forced to yield the match. [[Continue|fourth joust 8]]

It is clear to you and many others in attendance that Peter saw his opponent’s weaknesses and used them against him. It is considered bad form to exploit an Achilles heel during a joust, but as Peter abided by the code of chivalry at every other point and appeared sportsmanlike, enthusiastically greeting the loser and complimenting him on a good showing, his win is accepted as well-deserved. [[Continue|feast 1]]

As the daylight begins to wane and the sun fades from view, all in attendance gather for a great feast. Though they will sleep in the luxurious tents which they have pitched near the tournament field, you have invited your guests to your castle to continue the festivities. While the master of the tournament field is the herald, the feast is where you prove your mettle as a host. [[Continue|feast 2]]

You have carefully planned an elaborate meal with many dishes to suit a number of tastes. They range from the more simple such as salted fish, pork, and bread to the more daring such as porpoise. You have even had fruit brought in for the occasion. The richness and good taste of the feast you provide will reflect on you and mirror the prosperity of your lands. [[Continue|feast 3]]

For your guests, this feast is not simply a moment to relax and have a meal. Their behavior at the table will reflect on them as much as your hosting will reflect on you. There are many mores to observe. They must stop eating when you have stopped. Guests are seated according to rank, which is not to be questioned. They must not drink too much wine. [[Continue|feast 4]]

In order to ensure they follow all the rules and out of fear of offending you, most are silent when sitting at the table. While you attempt to eat your meal in peace, you are annoyed by a roar of drunken laughter. [[Continue|feast 5]]

You notice Enguerran drinking many glasses of wine, more than his share. You make a discreet gesture to the boy pouring the drinks to water down the wine. [[Continue|feast 6]]

As Enguerran takes a sip of his refilled cup, he spits it out after tasting it. All in attendance are startled by the loud noise his cup makes as it hits the floor. [[Continue|feast 7]]

Swaying as he stands, he bellows, “What is this swill? Are you so cheap that you do not have good wine to provide to your guests?” [[Continue|feast 8]]

In response, you… [[reaffirm your dedication to your guests’ comfort]] [[chastise his drunkenness]] [[remain silent and let him embarrass himself]]

“My lord Enguerran, I can promise you that I have upheld every duty in my role as your host in providing good food and drink. Are there any others who agree with these claims about my failings as your host?” Predictably, the hall remains silent. “Then, the error lies not with me but in you.” [[Continue|feast 9]]

“My lord Enguerran, you have had more wine than anyone else in attendance today. You are playing the part of the fool and bringing dishonor to the land you represent. I suggest you sit down and not make a further mockery of yourself.” Your guests look surprised at the harshness of your words, but no one dares to object. [[Continue|feast 9]]

You are a bit taken aback by the aggression in his reaction, but you know saying anything could only make matters worse. Let Enguerran reap what he sowed. You stare at him intensely without saying a word, which seems to make him grow angrier. [[Continue|feast 9]]

His already rosy face grows redder and redder, and then he suddenly collapses. You gesture to a manservant, “Bring him to his tent and do not let him leave.” [[Continue|feast 10]]

As the servant hoists the large knight’s arm over his shoulder, the hall has grown uncomfortably silent as if no one quite knows how to act. Sensing this discomfort, a musician steps forward and begins to play a song, breaking the spell which had frozen your guests. As you settle back into eating, you listen to the words of the song. [[Continue|song]] (if: $firstChoice is $secondChoice)[ (set: $finalPath to $secondChoice) ] (else:)[ (set: $finalPath to $secondChoice)  ]

(if: $finalPath is "romantic")[ The musician sings a song by a poetess whose name is lost to time, so she is only known as the Countess de Dia, a false title. Though the song is in a language exotic to you, you can still understand the words and can tell that the song is mournful but sweet, as the woman laments that her lover does not share her passion. [[Continue|romantic song 1]] ] (else-if: $finalPath is "political")[ The musician sings a song by one of the most famous troubadours, Girault de Bornelh. Though you are not fluent in the language of the region in which it was written, you know it well enough that you understand it. The song, unlike many troubadour songs, does not discuss the joys or sorrows of love, but rather speaks to the very meaning of courtliness. You think that it is a fitting choice of song for a tournament but especially apt now given the events that transpired today. What good is it to be a member of a court and participate in courtly activities such as tournaments when a person’s character is wicked? [[Continue|political song 1]] ] (else-if: $finalPath is "disillusioned")[ You are surprised when the musician starts playing the song of someone you know quite well. While you have never met him in person, Conon de Bethune was your father’s relative and friend, and he served as regent in Constantinople after your father’s disappearance. You know him for his beautiful songs that describe love as something painful but still wonderful. However, this song takes a more negative approach. [[Continue|disillusioned song 1]] ]

“I must sing of what I do not want, I am so angry with the one whom I love, because I love him more than anything: mercy nor courtesy moves him, neither does my beauty, nor my worthiness, nor my good sense, for I am deceived and betrayed as much as I should be, if I were ugly… [[Continue|romantic song 2]]

“To reawaken courtly pleasure, which had too long slept, and to welcome glory, to bring it back from exile, I thought to give myself some pains; but now I have renounced all that. and so I have failed to do it, because the thing cannot be done. Where the will to restore our courtliness most comes on me, there the damage and the loss get worse...” [[Continue|political song 2]]

“If rage and madness and the violence of loving have made me speak crazily and say bad things of love, no one must blame me. If Love, whom I have served, wrongly plays me false, I do not know what to rely on. [[Continue|disillusioned song 2]]

“The great prowess that dwells in you and your noble worth disquiet me, for I do not know of any woman, far or near, who, desiring to love, would not lean toward you; but you, friend, have such understanding that you can tell who is more true…. [[Continue|romantic song 3]]

“My worth and my nobility should help me, and my beauty and my fine heart; therefore, I send this song down to you so that it would be my messenger. I want to know, my fair and noble friend, why you are so cruel and savage to me; is it arrogance or ill will? [[Continue|romantic song 4]]

“But I especially want you, messenger, to tell him That many people suffer for having too much pride.” [[Continue|romantic song 5]]

As the song ends and the last chords are played, you cannot help but compare the woman to yourself, as it is so rare to hear a song about love from a woman’s perspective. You consider the situation in which the woman finds herself. [[Continue|romantic song 6]]

You think the woman is… [[right in remaining steadfast]] [[hiding her true meaning]] [[silly for bringing about needless agony]]

You believe that anything that is worth loving is worth feeling immense pain. A lover who is in pain is experiencing a perfect form of love, and this pain refines the lover. While people do suffer in love, you think that distress will be rewarded. There is the possibility that the beloved will see the loyalty and despair of the lover and eventually share in this love. [[Continue|info about peter]] (set: $romantic to $romantic + 1)

While people can act like fools when they are in love, you think that the woman who wrote the song has more complicated motives than simply asking her lover to return her love. She is not simply embarrassing herself by asking for his love, but she is making a private matter public. By chastising her beloved for treating her poorly, all can hear of her pain, and it forces her beloved into a confrontation. Furthermore, the love of the song could be a disguise for her political relationship with her vassals. She might be asking them to prove their devotion to her by aiding in her military pursuits. [[Continue|info about peter]] (set: $political to $political + 1)

You believe that the woman is only causing herself pain. Her beloved may indeed be cruel to her, but it is her decision to wallow in grief and make a fool of herself by writing such a song. You feel that such outward expression does not indicate a person’s sincerity. It is how a person serves the beloved in the less grand acts of daily life that prove a lover’s devotion. [[Continue|info about peter]] (set: $disillusioned to $disillusioned + 1)

“You saw tournaments proclaimed, nobility attending, well equipped, and then for some while the talk of those who fought and struck the best. Now the glory lies in robbing and stealing sheep. [[Continue|political song 3]]

“Shame to the knight who presumes to court a lady after he has touched a bleating sheep with his hands or stolen from churches or robbed travelers on the road... [[Continue|political song 4]]

“But to free the heart grown hard, should we not recall the forgotten things, the old deeds? For it is bad to forget the life that men have sworn to. I need no medicine for the sickness I am cured of; but what a man sees, let him turn and spin and balance and grasp and release and lay hold of at both ends…” [[Continue|political song 5]]

As the song ends, and the last chords are played, you consider the troubadour’s words. You think… [[Romance, under a certain set of rules, can ennoble misbehaving men.]] [[Chivalry and its rules of love are games that must be played to keep power in check.]] [[Courtliness is not enough to curb bad behavior.]]

You recall adages and verses from other songs about the ability of a lady’s love to lift a man to be better than he was. You are inclined to agree. If a man loves a woman who does not look on him with favor when he behaves poorly, he is more likely to reflect on his behavior and act accordingly. [[Continue|info about peter]] (set: $romantic to $romantic + 1)

You do not preclude the possibility of real feelings behind courtly love or the determination to do one’s best behind chivalry. However, you believe that these were originally intended as tools to prevent excessive violence and encourage knights to put a good reputation above all else. Where a man needs to adhere to these codes to be accepted, a woman can use the tool of courtly love to exercise influence. [[Continue|info about peter]] (set: $political to $political + 1)

You know that others say that courtly love can be ennobling or was originally intended to promote good behavior, but you have witnessed otherwise. A man might outright reject these mores. Even if he does believe in them, he may not act accordingly and do horrible or foolish things in the name of his beloved. A man should serve others because it is virtuous in the eyes of God, not to grow his reputation with members of the court. The authority of the court may rest on these ideals, but it is unwise to solely rely on reputation to maintain good behavior. [[Continue|info about peter]] (set: $disillusioned to $disillusioned + 1)

Love, I would like to convince you of your crime; you have destroyed my life, killed me without a challenge; you made me turn my mind to where joy is damned. she whom I beg for love has something different planned. [[Continue|disillusioned song 3]]

More beautiful than a statue, this one I tell you of, but the heart of her is something vile, mean and vicious… [[Continue|disillusioned song 4]]

It took no great act of prowess for her to betray me; no one who hears what she’s done will think she is wise; but since that’s how it is and she wrongfully dismisses me, I now renounce my service as her man, and I quit her… [[Continue|disillusioned song 5]]

It is now the time, and it is just and right, that I renounce her love.” [[Continue|disillusioned song 6]]

As the song ends, and the last chords are played, you consider the circumstances of the man. Though you have become close to no man since Ferrand’s imprisonment, you try to adopt the perspective of a man who has been wronged by his beloved. [[Continue|disillusioned song 7]]

You believe… [[the man is upset but still loves his lady.]] [[the lady was not wrong.]] [[the man is correct in ending his relationship with the lady.]]

You can understand how the man feels and are stung by some of the harsh words used against his lady in the song. Nevertheless, you believe that he still loves his lady. Even if he does not love her, you know that he still believes in love and will continue to act in a manner that will make him worthy of it. After all, a man who did not love would not write such a song. [[Continue|info about peter]] (set: $romantic to $romantic + 1)

You find yourself thinking of the lady more. You wonder why such harsh words were being used to describe her when it could very well be possible that the man had misinterpreted her feelings. It could have been that he was using her the way she used him. [[Continue|info about peter]] (set: $political to $political + 1)

It seems that the man simply fell in love with the wrong person. Now, he has written a song about it to warn others to not make the same mistake. Hopefully, they will listen. [[Continue|info about peter]] (set: $disillusioned to $disillusioned + 1)

(set: $askArnoul to false) (set: $askhandmaiden to false) Before you bring an end to dinner, you decide to gather some more information about your guest, Peter of Dreux, and his intentions. You decide to… [[ask your trusted vassal Arnoul what he may know about Peter]] [[ask your handmaiden to eavesdrop on his conversation]]

(set: $askhandmaiden to true) You summon your most discreet handmaiden, Aenor. “Aenor, I need you to listen to the conversations of the former Duke of Brittany to figure out if he has any ulterior motives for attending the tournament today.” [[Continue|handmaiden 2]]

Arnoul stays silent for a moment, weighing his options about what to say to you. “He is ambitious, my lady. Perhaps that is by nature of him being a younger son, he has always had to fight for his position. [[Continue|Arnoul 3]]

He was originally supposed to join the clergy, but when he came of age, he renounced this intention. [[Continue|Arnoul 4]]

He is no loyal ally to the king. He drove back the King of England’s forces when he campaigned on the continent with your husband. Yet, he accepted a title of the Earl of Richmond from the king’s successor.” [[Continue|Arnoul 5]]

Arnoul pauses for a moment. “If you are thinking of trying to know him better, my lady, I would strongly advise you to be very wary - for I think he is even more cunning than he seems.” [[Continue|peter convo 1]]

Aenor silently nods, and she nearly melts into the background as she makes her way over to where Peter is seated. After some time, she comes back. [[Continue|handmaiden 3]]

“My lady, most of his intentions for attending today seem to be the same as many other attendees: honor and glory and the chance to demonstrate your valor in front of your peers. However… he did say that he was especially interested in making your acquaintance. [[Continue|handmaiden 4]]

He had heard of you since your childhood at the court of Philip Augustus, but it seems circumstances had kept the two of you from meeting. [[Continue|handmaiden 5]]

He said he wanted to meet the woman who had ruled alone since Bouvines - not a widow but also not in a typical marriage.” [[Continue|peter convo 1]]

As your guests start to break into other activities, whether listening to the songs of troubadours or engage in lively dancing, you notice Peter is looking at you, and it seems he has something to say. Very well, it is now time to formally meet the man you have heard so much about. [[Continue|peter convo 2]]

Where would be the wisest place to have your first conversation? [[dancing]] [[in the garden]] [[in a quiet corner]]

It may be less private and more difficult to have clear conversations as you follow the steps of the dance, but a public first meeting would be the most appropriate. You catch his eye and slowly look toward those who are dancing. It takes a moment, but he gathers your meaning and starts to head to join the dancing at the same time you do. [[Continue|peter convo 3]] (set: $dancing to true) (set: $garden to false) (set: $corner to false)

The garden would be a very fitting location for your first meeting. While you are the mistress of the entire castle, the garden in particular is considered the woman’s domain, bringing him firmly into your territory. Gardens are also common settings in popular romances where magical things happen. The symbolism will likely not be lost on Peter. As you start to walk outside, you tell your your handmaiden Aenor, “Would you please ask the former Duke of Brittany to accompany us outside?” [[Continue|peter convo 3]] (set: $dancing to false) (set: $garden to true) (set: $corner to false)

It leaves you open to being easily discovered, but a hidden corner is likely the simplest way to have a conversation. You dismiss your handmaidens and encourage them to join the dancing as you want this conversation to be private. You look intently at him as you begin to walk away further from the dancers and he follows you. [[Continue|peter convo 3]] (set: $dancing to false) (set: $garden to false) (set: $corner to true)

As you come face to face with the man you have heard about all day, he bows before you. “My lady, it is my deep pleasure to meet you. I am happy you have deigned to converse with me.” [[Continue|peter convo 4]]

You indicate for him to rise. (if: $dancing)[You then join into the dance.] (else-if: $garden)[You gesture for him to take a seat on the bench across from you.] (else-if: $corner)[You make sure to conceal yourself while maintaining space between you and Peter.] [[Continue|peter convo 5]]

“My lord, it is hard to believe that we have been in the same places before and never had a conversation. I have heard much about you, and I want to confirm if what they say about you is true.” He nods. [[Continue|peter convo 6]] (set: $Arnoulinfo to false) (set: $handmaideninfo to false) (set: $deadwife to false) (set: $sonrelationship to false) (set: $meetwithyou to false) (set: $Frenchkingpolitics to false)

You decide to ask about… (You must choose all before you continue.) (if: not $Arnoulinfo and $askArnoul)[* [[Information from Arnoul]]] (if: not $handmaideninfo and $askhandmaiden)[* [[Information from Aenor]]] (if: not $deadwife)[* [[His relationship with his deceased wife]]] (if: not $sonrelationship)[* [[His relationship with his son]]] (if: not $meetwithyou)[* [[Why he is choosing to meet with you]]] (if: not $Frenchkingpolitics)[* [[His relationship with French king]]] (if: $Arnoulinfo and $handmaideninfo and $deadwife and $sonrelationship and $meetwithyou and $Frenchkingpolitics)[ ---- [[Continue|peter convo 7]]]

(set: $Arnoulinfo to true) (set: $handmaideninfo to true) “My lord, from what I have heard about you, it seems that you are cunning enough to have matters go your way when it does not seem possible. You were supposed to join the clergy, but you ended up marrying an heiress. You fought for the French king against our allies, and yet you received a title from the King of England. How is this possible?” Peter seems a bit surprised by your question, but he smiles and says, “I understand people. I see their problems, their feelings, their possibilities. I then act in a way that serves both their interests and mine. Is that so wrong?” You are... [[satisfied with his answer|satisfiedArnoul]] [[not satisfied with his answer|notsatisfiedArnoul]]

(set: $handmaideninfo to true) (set: $Arnoulinfo to true) “Is it true that you said you are in attendance at this tournament to make my acquaintance?” Peter is very surprised by this. “How could you have… Yes, I have wanted to meet you for quite some time now, so I am fortunate to have the chance.” He smiles, confidently though a bit more sheepishly. You are... [[satisfied with his answer|satisfiedhandmaiden]] [[not satisfied with his answer|notsatisfiedhandmaiden]]

(set: $deadwife to true) “I was sorry to hear about the death of your wife. Could you tell me more about your life together?” Peter sighs. “It is true that I was perhaps not the most attentive husband. I had other commitments and goals that I was able to achieve through long absences from my wife. Still, Alix and I did have some happiness, especially in our four children.” You are... [[satisfied with his answer|satisfiedwife]] [[not satisfied with his answer|notsatisfiedwife]]

(set: $sonrelationship to true) “I know your son is very young. What are your feelings about being his regent?” This seems to disturb Peter a bit. He slightly frowns as he replies, “Naturally, I am honored to serve my lord, even if he is my four year old son. You are... [[satisfied with his answer|satisfiedson]] [[not satisfied with his answer|notsatisfiedson]]

(set: $meetwithyou to true) “Why are you truly here with me? Surely, you would prefer to enjoy the festivities?” Peter smiles crookedly. “You are the hostess. Surely, it is //your// duty to entertain me?” [[satisfied with his answer|satisfiedmeet]] [[not satisfied with his answer|notsatisfiedmeet]]

(set: $Frenchkingpolitics to true) “I have heard you have come on the wrong side of the French king a number of times. Yet, you still remain in his good graces?” Peter nods. “Yes, I will serve him as he desires. But does that mean I should not serve my interests first? I’m sure you can understand that.” [[satisfied with his answer|satisfiedpolitics]] [[not satisfied with his answer|notsatisfiedpolitics]]